Bateman Original Designs

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Bateman Original Designs

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AUSTRALIAN GOWN OF THE YEAR 1995. IMAGINATION

Program from The Australian Gown Of The Year 1995. Held in Archive by Bateman Original Designs
Program from Australian Gown Of the Year 1995, Section 9. Entry 130, Imagination.
Australian Gown Of The Year 1995, Judges Sheet for Entry 130, Imagination.
Australian Gown Of The Year 1995, original "script form" for Entry 130, Imagination.
Gown Of The Year 1995 Entry Pass into behind the scenes for designer Sheila Bateman
Chaucer’s foyer Stephanie Randall wearing Imagination entry 130 into the Australian Gown Of The Year
Chaucer’s foyer. Stephanie Randall wearing Imagination, Australian Gown Of The Year 1995
Imagination – Backless dress designed to keep the straps secure while dancing.
Imagination - Pink Airtex dress. Pleated circle & 1/2 skirt with ostrich feathers hem.
Imagination - 20-denier pink cape ensemble with beaded edges.
Model Stephanie Randall entry 130 Australian Gown Of The Year 1995
Imagination Heavily beaded bodice with interlocking hand-beading arranged in a mesh-like pattern.
Imagination spinning out worn by Helen Bateman with extra floats at Wendon Dance Studio
Helen Bateman wearing Imagination at Wendon Dance Studio
Imagination - Finished with AB clear seed beads and sequins. To the touch, it felt like fish scales.
Imagination at Wendon Dance Studio Glen Waverley.
Imagination showing the floats from the front.
Imagination on the floor of Wendon Dance Studio
Helen Bateman and Don McRobert Dancing at Wendon Dance Studio 1995. Imagination

IMAGINATION


In 1995, Bateman Original Designs entered Imagination in the Australian Gown Of The Year.


Designed by Sheila Bateman, Imagination was entered in Section 9, “Gown Of The Year”, sponsored by Bateman Original Designs and worn by model Stephanie Randall. The gown was made in pink Altex Australian-made non-crushable polyester, with the fabric recorded as made in Melbourne.


Imagination was designed for movement, performance and stage presence. The bodice was fully hand beaded and sequined, with a built-in structure and a full skirt finished with ostrich feather trim at the hem. The petticoat and skirt were constructed to allow movement on the floor, so the gown could be danced in without losing its shape.


The archive images include the original 1995 Australian Gown Of The Year program cover, the official Section 9 program listing, the entry pass, judges sheet, script form submitted for entry, photographs of Stephanie Randall at Chaucer’s foyer on judging day, and later photographs of Helen Bateman-Greville wearing Imagination.



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